Despite the film’s abbreviated span, it’s a short 76 minutes, by the final stretch, it runs out of steam. Malta and Laudenbach imbue Linda with a zestful sincerity, but little else. We feel the pain that comes with losing a father at such a young age that you can barely remember him—but beyond that hurt, she feels depressingly one note.
Children are often more introspective than we give them credit for, especially when it comes to confronting the realities of death. They have a frankness with themselves and those around them. The bluntness, here, however, is only ever directed by Linda at everyone else, forcing the dinner dish of chicken and peppers to become such a heavily-wielded metaphor that it eventually loses its meaning, intensity, and urgency as the narrative sways toward its wistful yet buoyant conclusion.
That effect is partly intended: Linda processes her grief, therefore, the dish’s prominence is reduced. That latent bereavement is replaced by the chance at a new life, a new future, and a new family structure. That specter arrives rather suddenly, rather easily, without any complication of what those changes might mean for Linda and what other internal and external ways she has dealt with loss—from the hole left by the events she never experienced with her dad to the other physical objects of his memory that remain in her life. As a small amusement, “Chicken for Linda!” is an enjoyable enough lark.
But its flightless emotional course leaves its profundity just out of range.In the romantic comedy “Música,” Rudy is a young man who experiences the world through sound. In his ears, everyday noises become symphonies of life, a daily rhythm that distracts him from class and his girlfriend Haley (Francesca Reale). His mother Maria (Maria Mancuso) suggests Rudy date someone from their Brazilian community in Newark, New Jersey. After rebelling against these demands, he meets a fellow Brazilian American named Isabella (Camila Mendes) at a local fish market, and with that, Rudy starts to hear a new tune, one that’s music to his ears.
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